Current Events

William Kentridge: Why Should I Hesitate: Putting Drawings To Work

Why Should I Hesitate: Putting Drawings To Work
October 23, 2020 – August 1, 2021

Deichtorhallen, Hamburg

William Kentridge: More Sweetly Play the Dance

More Sweetly Play the Dance
February 13 – August 30, 2021

Mudam, Luxembourg

William Kentridge: City on the Edge: Art and Shanghai at the Turn of the Millennium

City on the Edge: Art and Shanghai at the Turn of the Millennium
May 22  – July 11, 2021

UCCA Edge, Shanghai

William Kentridge: William Kentridge: The Colander

William Kentridge: The Colander
May 29 – September 4, 2021

Griffin Art Projects, Vancouver

Forthcoming Events

William Kentridge: Waiting for the Sibyl

Waiting for the Sibyl
August 25 – 26, 2021

Summer Nostos Festival, Athens

William Kentridge: Season 8

Season 8
October/November 2021, to be confirmed

The Centre for the Less Good Idea, Johannesburg

William Kentridge: Season 7

Season 7
October/November 2021, to be confirmed

The Centre for the Less Good Idea, Johannesburg

William Kentridge: Waiting for the Sibyl

Waiting for the Sibyl
October 26 – 30, 2021

Royal Dramatic Theatre, Stockholm

William Kentridge: Espressioni. L’Epilogo

Espressioni. L’Epilogo
November 4, 2021  – February 27, 2022

Castello di Rivoli Museum of Contemporary Art, Rivoli – Torino

William Kentridge: William Kentridge: That Which We Do Not Remember

William Kentridge: That Which We Do Not Remember
January 22  – November 30, 2022

M.K. Čiurlionis Museum of Art, Kaunas, Lithuania

William Kentridge: Kinetismus: 100 Years of Art & Electricity

Kinetismus: 100 Years of Art & Electricity
February 22  – June 19, 2022

Kunsthalle Praha, Prague

William Kentridge: Wozzeck

Wozzeck
May 22  – June 5, 2022

Opera Barcelona, Gran Teatre del Liceu

William Kentridge: Shostakovich Symphony No. 10

Shostakovich Symphony No. 10
June 14 – 16, 2022

Lucerne Symphony Orchestra, Lucerne

 

A sporadic record of what happens in the studio, in video, words and images

Preparing Mayakovsky for Shostakovich 10. Paper costume made with Greta Goiris.

Idiosyncratic lines of enquiry into particular aspects of studio practice or bodies of work

William Kentridge All So Different

All so different from what you expected

Things which are obvious in studio practice, like uncertainty, doubt, provisionality, are not about the COVID pandemic. They are themes I have worked on for many years – but these themes in the outside world have become much more present in these months.

William Kentridge Cursive

Cursive

Cursive is the third set in a series of small bronze glyphs, following “Lexicon” (2017) and “Paragraph II” (2018). The glyphs started as a collection of ink drawings and paper cut-outs, each on a single page from a dictionary.

William Kentridge Cabinet Edifice

Edifice

This collection of drawings, made for the films “Sobriety, Obesity and Growing Old”, “Stereoscope”, “Tide Table”, “Other Faces”, “City Deep” and “What will come, has already come”, focuses on Kentridge’s use of architecture in order to establish place within the narrative of his films.