Current Events

William Kentridge: Why Should I Hesitate: Putting Drawings To Work

Why Should I Hesitate: Putting Drawings To Work
October 23, 2020 – August 1, 2021

Deichtorhallen, Hamburg

William Kentridge: William Kentridge: Universal Archive

William Kentridge: Universal Archive
January 5 – May 22, 2021

University of Wyoming Art Museum, Laramie

William Kentridge: More Sweetly Play the Dance

More Sweetly Play the Dance
February 13 – August 30, 2021

Mudam, Luxembourg

Forthcoming Events

William Kentridge: Making Prints: Selected Editions 1998 – 2020

Making Prints: Selected Editions 1998 – 2020
March 16 – April 17, 2021

Marian Goodman Gallery, New York

William Kentridge: William Kentridge: Tapestries

William Kentridge: Tapestries
March 17 – April 28, 2021

Annandale Galleries, Sydney

William Kentridge: A Guided Tour of the Exhibition: For Soprano with Handbag

A Guided Tour of the Exhibition: For Soprano with Handbag
May 15 – 16, 2021

Mudam, Luxembourg

William Kentridge: Il Ritorno d’Ulisse

Il Ritorno d’Ulisse
May 29 – 30, 2021

Philharmonie Luxembourg

William Kentridge: Paper Music

Paper Music
June 5 – 6, 2021

Grand Théâtre de Luxembourg

William Kentridge: Waiting for the Sibyl

Waiting for the Sibyl
June 11 – 13, 2021

Grand Théâtre de Luxembourg

William Kentridge: Waiting for the Sibyl

Waiting for the Sibyl
June 24 – 25, 2021

Summer Nostos Festival, Athens

William Kentridge: The Head & the Load

The Head & the Load
September 3 – 11, 2021

Jo’Burg Theatre, Johannesburg

William Kentridge: Season 8

Season 8
October/November 2021, to be confirmed

The Centre for the Less Good Idea, Johannesburg

William Kentridge: Season 7

Season 7
October/November 2021, to be confirmed

The Centre for the Less Good Idea, Johannesburg

William Kentridge: Waiting for the Sibyl

Waiting for the Sibyl
October 26 – 30, 2021

Royal Dramatic Theatre, Stockholm

Idiosyncratic lines of enquiry into particular aspects of studio practice or bodies of work

William Kentridge All So Different

All so different from what you expected

Things which are obvious in studio practice, like uncertainty, doubt, provisionality, are not about the COVID pandemic. They are themes I have worked on for many years – but these themes in the outside world have become much more present in these months.

William Kentridge Cursive

Cursive

Cursive is the third set in a series of small bronze glyphs, following “Lexicon” (2017) and “Paragraph II” (2018). The glyphs started as a collection of ink drawings and paper cut-outs, each on a single page from a dictionary.

William Kentridge Cabinet Edifice

Edifice

This collection of drawings, made for the films “Sobriety, Obesity and Growing Old”, “Stereoscope”, “Tide Table”, “Other Faces”, “City Deep” and “What will come, has already come”, focuses on Kentridge’s use of architecture in order to establish place within the narrative of his films.